Pastels and ink. Enough said!
Pastels and ink. Enough said!
Ink, in particular black Indian ink, would be the one media I’d take to a deserted island if I only got to take one – so versatile, so strong! So frustrating when you don’t know how to use it… Which is why I put together a dedicated one-day workshop. This one will look at the characteristics and possibilities of this medium and how to wrangle it into submission. No experience necessary…
I hear all the time from my students “It was looking good then I added the colour and I wrecked it.” I always tell them that if you’re not wrecking some drawings then you’re not trying hard enough – if you don’t experiment until you wish you’d stopped, how will you ever know it’s as good as it can get? Kill your darlings! If those thoughts don’t embolden you enough then scan or take a picture of it first, then keep going – at least you’ll have a digital copy of it the way you liked it.
Even easier when you’re adding the colour with your fancy digital tools and you can simply save older versions or turn layers off – it’s the dream of raving indecisives like me. At least I think it is, I’m not sure…
We’re all short of time – believe me, I know it! And in this cold wintery Melbourne it’s hard to get ourselves out at night. So, I give you Introduction to Fashion Illustration fast-track classes. Instead of 8 week nights you can complete the course in 4 Sundays – and in daylight!
Classes run from 10.30am – 4.30pm beginning August 7th, in the beautiful Frankie and Swiss studios in Sth Yarra. Info and bookings here.
A very fine day was had yesterday at The Drawing Salon for the So You Think You Can’t Draw Faces workshop, learning all things heads, skulls, and faces – understand the anatomy, and then will come the beautiful faces. It was a super-busy and intense day but the feedback was unanimous and a huge amount was learned – as always!
Want to know my trick for making profiles easy? Why is placement the most important thing on the face? Guess you’ll have to enrol the next time the workshop runs…Email me if you’d like to be notified.
The beautiful setting of Frankie and Swiss:
Just a drop of the fantastic work done by the students:
For the Creative Fashion Illustration workshop back in May, I decided to rally behind the forgotten medium of pastels – you know, the soft chalky ones whose dust covers every surface in the room, including you? Those ones. I’ve noticed that illustrators like the wonderful Bil Donovan in New York regularly use them (Bil combines them with his beautiful coloured ink work), and Mats Gustafson’s work from the 1980s used them in a clean and bold manner. They are versatile! They are perfect for make-up and beauty illustration, and they combine beautifully with other media such as ink and collage – which is exactly what we did in the workshop – we treated Gigi Hadid to a new look…
Admit it, it’s pretty dull and grey in Melbourne at the moment, so reeeelly you might as well be inside a beautiful art gallery, and you might as well be drawing! Tomorrow I’m leading a FREE fashion illustration session inside the 200 Years of Australian Fashion exhibition at the NGV at Fed Square. It runs from 2pm – 4pm and is the second time I’ve done it – the first time was a full house and then some so get in fast!
I’ll show you how you can document your favourite pieces from the exhibition quickly and with flair – trust me, I’ll make it easy, you don’t even have to know how to draw. Come!
It’s of never-ending amusement to me that the drawings people respond the most positively to are the ones that were the fastest, easiest, and mostly carelessly done. AND FURTHERMORE, the ones that I think about, labour over, and perfect in every way that I possibly can, go by without mention. This drawing was yesterday’s demonstration drawing, in a session dedicated to watercolours and illustrating prints, namely leopard print. It then became a lazy instagram post for @thedrawingsalon. And wasn’t she the popular girl…
There’s a lesson in that which could be applied to life in general – care a bit less, have more fun!
Well it may be true, technically, but by the end of this admittedly awesome workshop, you will be able to. Faces are the number one thing that let down an otherwise great drawing, and the number one thing that people tell me they “can’t draw”. If you can’t draw them it’s because you’ve never learned how.
This workshop goes beyond what I teach in the faces session of the Introduction to Fashion Illustration course – it’s a full day workshop and goes right under the skin to the cranial structure of the head. Why is the placement of the features more important than the shape? These questions and more will be answered! From structural information to stylised fashion-faces techniques, all will be revealed, including all key views of the face.
Oh but I guess I should mention there are only 2 spots left… Check out more or book here.
Miranda: Do you have a rolling pin?
Carrie: What do you mean?
Miranda: In your kitchen.
Carrie: Are you kidding? I use my oven for storage.